Jung Boram is a calligraphy artist who expands the concept of writing beyond mere symbols and characters, transforming it into a visual language of emotion and flow. Her work does not simply convey textual meaning; rather, it captures the movement of brushstrokes and the fluidity of emotions, making calligraphy a dynamic and organic form of artistic expression.

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From an early age, Jung was deeply drawn to handwriting. In her late twenties, she began practicing calligraphy in earnest and became fascinated by how letters could extend beyond their fixed forms to embody a spectrum of emotions. Letters can adhere to strict structures, but they can also shift freely along the trajectory of the brush. She focuses on these transitional moments, exploring how writing can transcend its conventional role and function as a living, evolving entity.

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Her artistic process balances spontaneity and structured composition. While her initial brushstrokes are guided by instinct and emotion, a natural order emerges through the process, forming an interplay between improvisation and deliberate design. This approach is akin to musical improvisation—intuitive yet refined. Jung also incorporates hand-dyed hanji (Korean traditional paper) into her work, adding depth and texture to her compositions. The absorption of ink, the way colors spread, and the unpredictable interaction between materials become essential elements in shaping her unique aesthetic.

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A recurring feature in her work is the repetition of lines. Her brushstrokes intertwine, creating a rhythm reminiscent of traces left by the wind or the flowing currents of water. Within this fluid movement, letters are never static; they dissolve, scatter, and reconnect in an endless cycle. In her practice, writing extends beyond the act of inscription—it becomes an exploration of speed, density, and emotional intensity, allowing the viewer to experience the work on a sensory level rather than solely as written text.

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In Jung Boram’s artistic philosophy, calligraphy is not merely a form of typography but a visual and sculptural language that mediates between inner emotions and the external world. Writing, in her view, is not fixed but constantly evolving with time and emotion. Each moment of transformation becomes part of the artwork itself.

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While Jung's work is currently rooted in the Korean writing system, she actively studies various languages, including English, to explore the relationship between brushstrokes and composition on a broader scale. For her, calligraphy is a sensory experience that transcends linguistic barriers. Through her art, she delves into the intrinsic beauty of writing, transforming it into a medium that records time and emotion. Her handwritten strokes create a flowing, organic rhythm that invites viewers to engage with the work beyond its literal meaning, offering a deeply resonant and immersive experience.